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‘Get Out’ →

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Get Out plays with audience expectations, switching between genres, building and subverting one trope after another, creating a series of plot twists and turns. This disorientates the audience: what point of reference should we be using to make sense of, and judge, this story?

‘Rosemary’s Baby’ →

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It’s possible to interpret Rosemary’s Baby as a straightforward warning story, a horror about devil worshippers and peer pressure. Some of the psychological, surrealist sequences are very Hitchcockian. It also works as a black comedy about the establishment, and the desperation to succeed at any price. Guy, Rosemary’s husband, will do anything to turn around his failing acting career.